Encaustic art is over 2,000 years old, with its origins tracing back to ancient Greece around the 5th century BCE. The word encaustic comes from the Greek enkaustikos, meaning “to burn in”, which refers to the process of fusing layers of wax with heat.

The encaustic medium is composed primarily of purified beeswax and damar resin, a natural tree sap similar to amber. When pigment is added, the mixture becomes a richly colored, molten paint that can be applied in layers, each being fused to the previous layer using heat.

Encaustic artists work with a variety of heated tools – such as torches, hot plates, irons, and heat guns — to manipulate the wax while it’s still warm. As it cools, the surface solidifies and can be carved, scraped, polished, or reworked, offering a remarkable range of texture, depth, and luminosity.

Because encaustic hardens as it cools, it must be applied to a rigid, absorbent surface such as wood; flexible supports like canvas are not suitable, as the wax may crack or flake. One of the earliest and most enduring examples of encaustic painting is the Fayum funerary portraits of Roman Egypt—remarkably preserved and still luminous after nearly two millennia.

Once a relatively obscure medium, encaustic is enjoying a resurgence in contemporary art due to its versatility, tactile richness, and uniquely translucent beauty.

Unlike oils or acrylics, encaustic paint must be heated and fused layer by layer. It cools quickly, allowing for layering, scraping, carving, and embedding. The resulting surface has a unique translucency and texture that’s difficult to replicate with other mediums.

No, not under normal conditions. Encaustic is incredibly durable when properly cared for. It’s best to avoid prolonged exposure to direct sunlight or extreme heat (like placing it over a radiator), but encaustic is surprisingly stable. Some of the earliest examples—like the Fayum portraits—are over 2,000 years old and still luminous.

I’m drawn to encaustic for its tactile nature, translucency, and versatility. It allows me to work in layers, embedding photography and other materials, creating visual depth and emotional resonance that speaks to themes of memory, longing, and transformation.

I primarily use natural beeswax, damar resin, and professional-grade pigments. Many pieces also include embedded photography, India inks, oil pigment sticks, metallic foils, or mixed media elements. I work on wooden panels and rigid surfaces that can withstand heat and layering.

Yes. Much of my encaustic work is rooted in my photography—especially my macro floral images and landscape compositions. These serve as both inspiration and embedded imagery, adding depth and narrative to each piece.

I build up multiple layers of wax, carving into or fusing them to reveal what lies beneath. I often incorporate texture through tools, brushes, and natural materials and use heat in various forms—torches, irons, and heat guns—to manipulate the surface.

My work is deeply inspired by the natural world, personal history, and the emotional landscape of memory. Themes of longing, place, and presence often appear in my series—particularly in the Landscapes of Hiraeth series, which explores the untranslatable feeling of homesickness for a place or time that may never return.

Yes, I enjoy sharing my process and passion with others through artist talks, interviews, and collaborative projects. Feel free to reach out if you’re interested in working together.

If you see a piece on social media or this website that you love, feel free to contact me directly. I also offer private sales and occasional open studio events.

Yes, I accept a limited number of commissions each year. If you’re drawn to a particular piece or series and would like something created just for you, I’d be happy to explore the possibilities with you.

Encaustic art is surprisingly low maintenance. Dust lightly with a soft cloth and avoid hanging it in direct sunlight or areas of extreme heat. Over time, encaustic can develop a natural “bloom”—a ”soft haze”—that can be gently buffed with a soft cloth to restore its sheen. Clean, 100% cotton is the best material for dusting your encaustic art.

Most of my pieces are on cradled wood panels and are ready to hang without a frame. However, you may choose to frame them in a shadowbox or floater frame for a more finished presentation. Do not frame encaustic art under glass or plastic.

Yes, I teach both in-person and online workshops throughout the year. My workshops cover everything from encaustic basics to advanced techniques and photo-based encaustic work. All experience levels are welcome.

Not at all. Many of my students are beginners. My goal is to create a welcoming, supportive space where you can explore the medium at your own pace.

Yes, I occasionally offer one-on-one instruction both in person and virtually. If you’re interested in private sessions or mentorship, please reach out for availability and rates.

Yes, I ship worldwide. Please note that international buyers are responsible for any customs duties or import taxes.

All artwork is carefully wrapped, cushioned, and boxed to ensure safe delivery. I use eco-friendly packaging whenever possible.

Weather—and especially temperature—can significantly impact the safe shipping of encaustic art. Since the medium is made of beeswax and damar resin, both of which are sensitive to heat, I recommend overnight or 2-day shipping. Some locations may require temperature-controlled shipping.

Due to the nature of original artwork, all sales are final. However, if there’s ever a problem with your order, please contact me directly — I want you to love your piece.